No.26309
FOUR ELEMENTS OF HUMAN EXPERIENCE
In order to fully understand Transcendence techniques, it is necessary to obtain at least basic knowledge about these four elements. Their presentation, which follows, will be longer than my usual explanations. In it I will point out some scarcely known insights of the alternative and avant-garde sciences, which are slowly penetrating the official sciences. I believe this knowledge will be useful to most readers, and will make possible a broader view of the world, as well as a more complete understanding of themselves and many additional phenomena.
In my previous works I repeatedly pointed out that in countless human experiences no one thinker managed to find something other than these four elements: psychic image, emotion, bodily sensation and thought, or, most often, their combinations.
This is true of both the simplest and the most complicated experiences, from a feeling of irritation we might have toward someone, to the most sublime experiences of listening to our favorite music, looking at paintings by the great masters, or hugging a person we love. Our experiences are mostly made of combinations of those elements.
All other human experiences, which appear under the disguise of different names such as beliefs, values, attitudes, judgments, convictions, decisions, justifications, apologies, conclusions, efforts, fantasies and so on, are nothing but different manifestations of the four elements and their combinations. Proof of this assertion is simple and any practitioner who even once puts it to trial will be convinced of its validity: when we confront those four elements in a DP4 process, only emptiness will remain in our minds in the place where even an exceedingly complex experience used to be!
Alchemy and magic in the Middle Ages speak of these elements using different names. I mentioned this in my book Invisible Influences when I referred to Paracelsus, who elaborated on mastering the elements in his works. In the above-mentioned alternative disciplines a fifth element – akasha – is also spoken about. Akasha is above the basic four elements; it is the source of everything that has ever existed, that exists or will ever be manifested in existence.
In Indian philosophy akasha is the all-encompassing medium, or background of all existing things. It is real, but so subtle that it cannot be noticed until it appears in the manifest universe through countless existing things and phenomena. However, it can be experienced by means of spiritual practice and this is precisely the way in which many mystics, primarily the ones in the East, have experienced it.
Akasha is called quantum vacuum in modern physics. It is the meta-universe behind manifested universes, which creates those universes in an endless sequence. It is a field from which subatomic particles, atoms and molecules, planets and galaxies, physical bodies and everything that can be perceived by the senses enters into manifestation. Akasha is a medium filled with prana – infinite cosmic energy that eternally fluctuates. The vacuum of contemporary physics consists of akasha and prana inextricably connected into one.
I have decided not to dwell on akasha in this book in order to simplify the system described in it as much as possible. Now I will point out the congruence of our four elements with the elements of alchemy and magic.
No.26310
>The air is thought. It permeates everything, but is invisible; only its effect can be felt or seen.
>Fire is emotion or feeling. Its main characteristic is expansion and inconstancy, changing of shape. We often say emotions are warm, heated, changeable and fickle.
>Water is psychic image. It is the only element in which reflections of objects and people, beginning with the unhappy Narcissus who fell in love with his own reflection in the spring water, naturally appear.
>Earth is bodily sensation – physical feeling. It is “palpable” and the densest of all the elements. Hot feeling in our face, knot in our throat, pressure in the solar plexus and similar bodily sensations are easiest to notice, because they force themselves on us.
Alchemists managed to control these elements by means of long and tiresome experiments. In medieval magic this was achieved through complicated rituals. In Spiritual Technology, which I have developed in the course of the past twenty years, we control these elements by confronting them. To confront them means to perceive them as they are. This leads to their integration with the person who confronts them. You should keep in mind this empirically proven fact: everything you are able to confront and perceive as it is, you put under control. After many years of meditation Buddha was able to confront the whole universe and therefore declared that the world is illusion. Of course, our confrontation with elements of some experience is by no means as profound and all-encompassing as Buddha’s. An average person cannot confront big chunks of reality, especially not the ones which are burdened with unpleasant emotional charge. For this reason in my systems we resort to gradual confrontation with individual elements, using an alternative technique.
The best example of such confrontation is the DP4 process. As already mentioned, due to its significance and universal applicability, I will describe it again in this book.
No.26311
Excerpt from Zivorad Mihajlovic Slavinski's book Transcendence pages 12 and 13.
No.26323
so it is like the greek monad?
No.26349
Bump.
Another good book to read about this is a /fringe/ classic, Initiation into Hermetics by Franz Bardon.
No.26350
No.26527
>>>/b/1970111
Requesting /b/ackup in here. It's just me and one other greenpilled anon against the hoards of fedoras.
No.26676
How does this differ from how Franz Bardon describes the elements? Is this quite different from Bardon elements?
No.26713
Prithivi or Prithvi… which is the correct spelling?
In
Initiation Into Hermetics 2001 edition by Franz Bardon it is spelt Prithivi. Yet everywhere else online it seems to be spelt Prithvi such as in this article
https://en.wikipedia.org/wiki/Prithvi .